BISFF 2026 — Beyond Cinema

3D cinema, artificial intelligence, XR, and interactive storytelling

Events
Stereo3D
A guide to the Beyond programme at the 43rd Busan International Short Film Festival.
Keywords

BISFF, Busan International Short Film Festival, stereoscopic cinema, artificial intelligence, XR, interactive cinema

BISFF 2026 — Beyond Cinema

Festival overview

The 43rd Busan International Short Film Festival (BISFF) took place from 23 to 28 April 2026 at the Busan Cinema Center and the BNK Busan Bank Art Cinema Corner Theater. Under the theme Cinéma & Lumière, the festival presented 148 films, including 69 competition films and 80 invited works.

Dates 23–28 April 2026
Theme Cinéma & Lumière
Primary venue Busan Cinema Center
Programme 148 films
Festival edition 43rd

Alongside its competition, national, regional, and guest-country programmes, BISFF presented Beyond: four sections exploring forms of cinema that extend past the conventional flat screen.

Beyond

3D Cinema

The 3D Cinema programme explores stereoscopic depth as both a storytelling tool and a way of changing perception. Its selection moves beyond commercial blockbuster 3D to include animation, documentary, experimental work, video art, and films engaging with cinema history.

France was the festival’s 2026 Guest Country, and several works connected the programme to French cinema and history. Being Godard & de Beauregard revisits a creative partnership associated with the Nouvelle Vague; Hsu-ji Behind the Screen follows a young girl finding comfort in early cinema; and Poulo Condor addresses France’s colonial legacy in Asia.

The programme was curated by BISFF programmer Alaric Hamacher, with most films receiving their first Korean presentation.

Films

  1. Oppression — Didier Paradis
  2. Poulo Condor — Yannick Violin
  3. Hsu-ji Behind the Screen — Thomas Rio
  4. Death of a Lonely Atheist — Martin Hans Schmitt
  5. Stahlstichsymphonie — Christian Zschammer
  6. Being Godard & de Beauregard — Hind R. Boukli
  7. Double Vision — Kwon Hyewon
  8. Cinema Genesis — Kim Changho

Official 3D Cinema programme

Artefact AI Film Festival Focus

This special focus presented 13 films from the Artefact AI Film Festival, a joint project between data-and-AI company Artefact and French art-house cinema group mk2.

The programme examines what happens when rapidly developing AI technologies meet human creativity. It includes established and emerging filmmakers using AI tools to test new visual languages, production processes, and forms of imagination.

Films

  • The Cinema That Never Was — Mark Wachholz
  • ROPED — COKAU
  • Hard Dayzzz — Max De Donato
  • Arrow — Jiaze Li
  • The Shadows Weaver — Anne Horel
  • field notes — arielko
  • Lifelong Odyssey — Alix André-Kellershohn
  • Rules of Play — Jacob Adler
  • 6000 LIES — Simon Rieth
  • Life After You Dyed!!! — Raphaël Frydman
  • Jamais Nansa Souvenirs — Ella Bedia
  • e^(i·π) + 1 = 0 — Junie Lau
  • A DREAM — Evgenia Shabunina

Official Artefact AI Film Festival Focus

XR: Immersive Experiences

The XR section shifts the audience from watching at a distance to entering and navigating a work through sight, sound, movement, and physical presence.

XR festival experience

The experiences ran from 24 to 27 April, 11:00–20:00, in the BISFF Lounge on the sixth floor of the Busan Cinema Center. Participation required an on-site reservation, and visitors selected an available work before using a Meta Quest headset with staff guidance.

Experiences

  1. Let it Begin — Jung Seongwook and Kim Baekjun
  2. A Long Goodbye — Kate Voet and Victor Maes
  3. Into the Manhole — Abhishek Verma and Jayesh Pillai
  4. Kaleidoscope — Yu Gihoon
Note

Extended headset use may cause discomfort such as dizziness or headaches. Visitors should follow the operating and safety instructions provided at the venue.

Official XR programme

Interactive Cinema

Interactive Cinema invites the audience to participate in shaping a story. Choices and interactions can change how an individual viewing unfolds, moving the viewer from outside the screen into the narrative itself.

The section ran from 24 to 27 April, 11:00–20:00, in the BISFF Lounge on the sixth floor of the Busan Cinema Center.

The programme presented Les glaneurs de carton by Sakina Douiou and Xuan Minh Tran.

Official Interactive Cinema programme

Sources

Information checked on 25 July 2026.